What is one thing you still wish to accomplish both personally and professionally? Get a weird, bad job - just for the experience. #Paul bates professional#With the professional life experience you’ve gained over the years, what would you now tell the upcoming you from years ago who was just in the throes of beginning a career as a performing artist? What would you tell your younger personal self with the knowledge and wisdom life experience has now given you?ĭon’t waste a single second worrying if you’re good enough. What is a word you don’t like to hear yourself say? What is a word you love to hear yourself say? If you could say something to any of the naysayers in your career who didn’t think you would make it as an artist, what would that be? If you could say one thing to one of your mentors or favourite teachers who encouraged you to get to this point as an artist, what would it be? I credit the late James Lipton and ‘Inside the Actors’ Studio’ for this format. If you need more than one sentence, that’s not a problem. RAPID ROUND: Try to answer these in a single sentence. Where does Paul Bates, the person, see himself going next?Ī secluded cabin to play board games with my friends. Where does Paul Bates, the artist, see himself going next?Ī return to collaboration both for the stage and in digital media, particularly podcasts, which I enjoy more than I thought I would. What disappoints/unnerves/upsets Paul Bates post Covid?Īny premature lifting of safety restrictions that ends up dragging out this nightmare in the long run. Honestly? The possibility of auditioning for something in person again. What excites/intrigues/fascinates/interests Paul Bates post Covid? I’m hopeful that theatres will be able to capitalize on that energy. But once they feel safe and ready to return, they’ll be so hungry for a live experience. I think initially there will be a struggle to bring audiences back safely. In your opinion, do you see the global landscape of the professional Canadian live theatre scene changing at all as a result of these last 18 months? I feel much more focussed now in terms of artistic and career goals. These months in lockdown - especially when nothing was going on professionally - were a great opportunity to ask myself what I wanted from my career, what I expected of the industry, and what I love about performing. How have these last eighteen months of the pandemic changed or transformed you as an artist professionally? I’ve come through the pandemic with the strongest friendships I’ve ever had, and with a much stronger family life too. So personally, my growth came in the form of strengthening bonds with a very small handful of friends. Like so many of us I spent a lot of the last 18 months at home and saw a lot fewer people. How have you been able to move forward from these last 18 eighteen months on a personal level? How have you been changed or transformed on a personal level? I’m trying to think positively that we have, fingers crossed, moved forward in our dealing with Covid. I also tend to think of my directors at Second City as mentors who taught me a lot about acting, improv, writing and directing: Paul O’Sullivan, Bob Martin, Chris Earle, Mick Napier, and Sandra Balcovske. I had some very good early teachers who introduced me to acting and who supported my enthusiasm for the performing arts: Greg Hertel and Chris Brower. Since we’ve just celebrated Thanksgiving, tell me about some of the teachers and mentors in your life for whom you are thankful and who brought you to this point in your life as a performing artist. I’ve included his most recent promotion at the conclusion of his profile. His credits listed here make me want to see his work live sometime soon. Paul and I conducted our interview via email. He’s won numerous Canadian Comedy Awards and received NOW Magazine’s 2013 Reader’s Choice Award for Best Male Improvisor. Film credits include The Tuxedo, Welcome to Mooseport, and Camille. On television Paul played Jeff on Dan For Mayor (CTV), and has also appeared in The Stanley Dynamic, The Ron James Show, Odd Squad, Against The Wall, and Puppets Who Kill. Other stage credits include SlapShot Live, It’s A Wonderful Toronto, The Soaps: The Live Improvised Soap Opera! An Inconvenient Musical and SARSical, for which he received a Dora Award nomination. From the Sonar Network website: A veteran of Toronto comedy stages, Paul got his start at The Second City, where he wrote and performed in six revues.
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